
… or so says an article in this weeks Big Issue. According to a â??studyâ?? undertaken by Prof. Adrian Sargeant of the West of England University, charities are seen as a ‘bland, homogeneous mass of very similar organisations” by a majority of donors and “commercial style branding (is) a good option for charities that want to distinguish themselves from the herd.”
Citing ‘successful’ charity brands as examples of branding which supposedly has had a positive impact on how organisations perform, Professor Sargeant seems to see consistent and engaging communication as the way to position your charity above ‘the clutter’. But this only addresses part of the problem – those charities which have undertaken big professional branding exercises undoubtedly look more professional, and by association trustworthy, than their competitors but they also all look the same (see screen shots at the top of the article).
So let’s go back to the start with this problem. Prof Sargeant says charities are seen as a ‘bland homogenous mass of very similar organisations’. Let’s assume they’re seen that way because they are bland and homogenous. When taking into account the â??exponential proliferation of charitiesâ?? in the UK, it’s little wonder. In the UK alone there are 620 different cancer charities, so maybe the way to start addressing this problem is to look first of all at what the charities actually ‘do’. Without a distinct and compelling agenda no charity is going to benefit from a polish of their corporate communications. Even Joshua Blackburn of über-branders ‘Wolff Olinsâ?? recognises that, “Branding has a persuasive allure but it will only reap long-term rewards when it is about real change. Anything less and your cool logo will soon go cold- along with your public.”
Charities can take this ‘do’ ethic and really make it work for them. The prominance of Oxfam as a development charity with a great deal of respect and trust, has much to do with it pioneering the model of the charity shop we now know in the UK, (so much so that people often refer to ‘oxfam shops’ when talking about generic charity shops). It is now updating this concept with the launch of ‘progresso’ coffee houses – not overtly branded as oxfam, but a really smart idea which reflects well on the parent organisation. Progresso has it’s own branding (by â??Graven Imagesâ??) which gives the finished product an air of professionalism, but the really smart design decisions were taken much earlier in the process by thinking about what the charity was doing, and how its actions could be relevant, compelling and worth engaging with for their potential audience.
By using design strategically at the highest level, charities can create a genuine engagement in their work. By using branding to simply â??define and communicate their valuesâ?? , charities will be no further on than the other 5000 new charities a year, doing exactly the same banal thing.
Published on November 6, 2005 9:14 pm.
Filed under: Brand, Design, Society + Politics
The Leeds brand (already discussed in this blog) has been lauched to the usual civic fanfare and popular derision which accompanies these events: Read more â??hereâ??
In the spirit of the mindless nonsense that constitutes this branding effort, I propose a competition to come up with an even dumber slogan to market this fine city. Please leave suggestions – your starters for ten:
All roads lead to leeds.
LEEDing, not following.
And a suggestion from Richard Elvin, USA:
Leeds. Been there. Hate it. (though obviously this is rather childish…)
see if you can do any better/worse…
Published on October 19, 2005 10:16 am.
Filed under: Brand, Design, General
“Almost a week after the atrocities in central London, and the bombers were identified as being from the Leeds area… Whereas the events in London, as tragic and as awful as they were, managed to galvanise a sense of resilience among the people of the city, the impact on Leeds was less positive. So how damaging is this to ‘Leeds – the brand’?”…
So begins an article in â??The Drumâ??, Scotlands only real design and marketing magazine, and arguably the worst publication this side of Amstrad Monthly. What follows is a number of Vox Pops from various Marketing and Branding ‘Heads’ – They come out with the usual guff that you get around these kinds of discussions, almost aware that people will think it tasteless to be discussing a city brand in the light of these events, but never the less managing to come out with statements like; “It’s absolutely essential that any branding that is now launched is not glib or superficial … It has to be managed very carefully, but strong brand positioning can combat something like this…” (what?… terrorism? …no doubt Osama is getting precious little sleep these days, worrying about an onslaught of ‘strong brand-positioning’ from the infidel).
Branding of place is a hot topic. From Wolff Olins work with Lichtenstein – (when viewed in isolation a very nice piece of graphic work, but what is going on politically behind initiatives such as these?) – to the recent rebrand of â??Glasgowâ?? – (“Scotland with Style”) – there is an increasing preoccupation, amongst cities, regions and countries, with external presentation and the selling of ‘place’. Glasgow agency â??Graven Imagesâ?? have been looking at this in their autumn mailer – Competitive Place… (How do we choose where to live, work or visit when every place wants to be our favourite destination?). It’s good that they’ve opened this debate, as with more and more consultancies (like Graven Images) being employed to market place, a city’s ability to stand out and say something meaningful will be weakened as these agencies produce more and more homogenised external representations of the modern european cosmopolitan city.
Using the conventional ideas and methodology of branding to develop ‘place’ is to miss the point. We need to look into our cities and ensure that what we’re providing (facilities, social spaces, basic infrastructure) is well designed and matches up to the challenges of the 21st century, and can also entertain diversity and cultural non-conformity. We should think about how design can be used, both strategically at a civic level and spontaneously at a grassroots level, to reshape a place for the better. This can be through architectural interventions, but also through design of services and interactions which build the social fabric of a space in a sensitive and subtle way. And we maybe need to consider not employing the basic principal of shouting louder than everyone else when it comes to communicating what this ‘place’ has to offer. John Thackara touches on this in his book, â??In the Bubbleâ?? when he observes; “At first many (cities) were convinced that snappy communications were the key to success; these places spent lavishly on logo’s slogans and corporate identities … Much of this money is badly spent. There’s a big difference between selling soap and making sense of a locality – many place marketers don’t get it … (but) … some of the people running cities now realise that communication campaigns will not work unless they are accompanied by genuine improvements to the product”
Only by looking at how design can shape the space you’re marketing can anything of real significance be communicated to the outside world, (or the cities own citizens as is more often the case). Perhaps those Leeds agencies should be asking what design can do to help Leeds from the inside out, rather than getting worked up about perceived cracks in the surface gloss.
Published on October 18, 2005 3:39 pm.
Filed under: Brand, Design, General, Society + Politics
As part of the conversation around the future of work, we were discussing whether there was any truth in the idea that we will all become full-time freelancers working in networked communities solely for ME Inc. In their book â??Karaoke Capitalismâ?? Jonas RidderstrÃ¥le and Kjell A Nordström talk about the importance of developing your own brand in order to stand out in the marketplace (saturated, we presume, with other freelancers touting for business, projects, sub-commissions etc). They don’t really discuss what this brand might be and how you would go about using it, which suggests that really what they mean by ‘your brand’ is actually ‘you’, ‘your personality, abilities and reputation’.
I suppose this could be considered a step forward from the OnBrand world of institutional work where the brand you live by isn’t your brand – it’s the organisations. Internal brand management is big business and has evolved into something more pervasive than a company handbook or a set of publication guidelines, (you know the script, “Our brand is our biggest asset – Misplacement of our logo devalues our relationship with our customers, and will result in mistrust, pestilence, apocalypse” etc). The brand is now incorporated into internal progress reviews, (“like how ‘Microsoft’ are you?”), and is communicated as pervasively to employees as it is to the potential customer. It also exists in much more subtle ways amongst the “we don’t do that kind of thing here” mentality which can sometimes exist in peer groups, and the fear/risk factor associated with any OffBrand thinking. In organisations with a strong OnBrand control culture, this control exists at the expense of the creative freedom of the individual and therefore the creative ability of the organisation to innovate and develop. There still exists a big gap between knowing that creativity is a powerful force for good in business, and actually creating the work structures where creativity can genuinely flourish.
Perhaps the future of work will lie somewhere in between these two possible futures, if organisations can loosen up and move away from a ‘control through consistency’ mentality. From the anecdotal evidence of big employers, it would appear that money is no longer the biggest priority amongst many employees, and both a better work/life balance and creative autonomy are creeping up the agenda. This would indicate that the motivating factors for working for ‘the man’ are no longer just financial, no questions asked, but tied into whether the job has any meaning and how that job fits in with the rest of their life. Whether this leads to a world where we are all empowered freelancers, or a different approach to structure and process at work, remains to be seen.
Published on October 17, 2005 1:24 pm.
Filed under: Brand, General, Work
Although this happened a while ago, and Ms Beers has long since departed the Pentagon, her thankless mission unfulfilled, I think this is a useful story in terms of some of the misunderstandings that constantly plague organsiations about brand design and communication.
(You can read a full transcript of a radio interview on the subject â??hereâ?? – it’s very funny and worth a look).
The major problem with this initiative is thinking that what America does, and the American ‘Brand’ are two seperate things and that through advertising alone you can become the thing you want people to see. To think you can communicate a message about the benevolent, caring USA, while 24hr news channels broadcast footage of American carpet bombing of Iraq and Afghanistan demonstrates the most amazing nievity. America is MacDonalds and Democracy, Bruce Springsteen and Imperialism, Disney and Capitalism, Hummers and Freedom, all rolled in to one self-contradictory whole, all at once. If, (with particular reference to this article and the ‘branding’ of America’s foreign policy), there is a desire to shift people’s perception, that is going to have to start with a change in behaviour. Perhaps America could develop a new foreign policy built around the famous ‘have a nice day’ mantra. The essence of this policy would be to ‘out-nice’ other nations through a strategic combination of displays of overwhelming generosity and kindness, thus shaming countries of the world into better behaviour towards their citizens and each other. While this is only a ‘top-of-the-head’ suggestion, I am adamant that creative thought needs to be applied to what America is actually doing, long before they think about ‘selling it’, (their words, not mine), to the rest of the world.
You don’t need me to spell out the parallels here between branding a nation through communication, and the numerous occurances of organisations trying to project a new image through communication alone, rather than looking at the fundamentals of what they are doing. Rather than thinking about Re-Brand’s, I always urge people to think about a â??Re-Doâ??
Published on October 4, 2005 3:46 pm.
Filed under: Brand, Design, General, Society + Politics
Trevor Phillips, Head of the Racial Equality Commission made some shrewd remarks in his recent â??speechâ?? on race relations in Britain in 2005, and flagged up some important warning signs about â??sleepwalking into a ghetto cultureâ?. He also hinted at a solution to our problems being a better shared understanding of British-ness. There are two important questions here. 1. What would Britishness be? 2. How would we learn this Britishness? It seems that whenever there are problems regarding communication and understanding, whether it be in corporate communications or these slightly more weighty issues of natinal identity, that the default response is to say we all need to be â??on-messageâ??, â??on-brandâ?? and â??singing from the same song sheetâ??. Not only is this unrealistic, but it imposes a rather sinister subtext of the answer to our differences being an imposed mono-culture. Business and society in general would do well to learn from examples where different view points are tolerated and can even be a very creative force for good. So long as the lines of communication are open, strong and honest we should be able to tolerate (and maybe even enjoy) strongly opposing views, whether this relates to being â??onbrandâ?? in corporate life or â??onbrandâ?? as a citizen of the UK.
Published on October 3, 2005 4:36 pm.
Filed under: Brand, Design, General, Society + Politics
This week Justin King, Chief Exec of the Sainsbury group, called for a check on the dominance of Tescoâ??s in the UK Supermarket market. (â??More Hereâ??) His claims, which seemed to some to be a case of sour overpriced organic grapes, lay around the power Tesco weilds as market leader when it comes to developing new sites, to the exclusion of Sainsburies and Adsa et al. Of course Tesco rebutted these allegations, claiming â??mostâ?? British consumers had access to at least two or three supermarkets therefore Tescoâ??s position as number 1 was a result of the consumers â??free choiceâ?? and not something they would ever take for granted. The issue of choice is an interesting one here in that choice only really exists from a very small range of possible options – the big companies having run local independant traders out of town a long time ago, and the factors determining that choice being a tightly controlled combination of value for money, cost and â??perceived qualityâ??. We are now all aware that supermarkets run to their own internal logic which results in some appaling products reaching our shelves, produced via intensive farming methods which are bad for the environment, and probably bad for us. The emphasis placed on superficial appearance at the expense of nutritional value is worrying. But that internal logic which specialises in making something from nothing can even make money from this, producing nicely (and wastefully) packaged â??Qualityâ?? ranges – the leverage leading consumers to chose these premium products being the shoddy quality of the rest of their ranges.
An interesting gap currently exists for a â??goodâ?? alternative to the supermarket. This means more than producing heavily packaged â??organicâ?? potatoes (40% of the crop being rejected because theyâ??re not round enough), or putting a miniscule fraction of your massive profits back into â??community causesâ??. It would mean redesigning the way a supermarket works, creating value for the consumer in something resource-light and sustainable, and eschewing the current logic of the market which results in broiler house chickens spending their steroid fuelled short lives sitting about in their own excrement. The supermarkets can argue all day about whether theyâ??re benignly just giving consumers what they want or whether those â??wantsâ?? are created in a system that has reduced the possible choices in such a way to create a demand for what theyâ??re offering. Sainsburies and Tescoâ??s can scrap about whether one has better access to new developments than the other but the fact is if youâ??re going to play in that particular market youâ??ll sooner or later get dragged into working by itâ??s own rules. The only route out seems to be to create a different market with different needs and different products and services, which can play by a different (better) set of rules.
Published on October 3, 2005 4:22 pm.
Filed under: Brand, Design, Environment, General, Society + Politics
In an associated incident of Brand Tyranny, news reaches us of a school fundraising endeavour hampered by the Live Aid foundation brand police. Pupils at Stewarton Academy were all set for their â??Live Tradeâ?? event to encourage and promote Fair Trade in their school and community and timed to coincide with the G8 conference in Gleneagles and the Live8 concerts in London and Edinburgh. Unfortunately news of the event reached Geldof Towers and a request was made to change the events name for fear of damaging the Live Aid brand.
Published on October 3, 2005 4:01 pm.
Filed under: Brand, General, Society + Politics
One phenomenon of the recent â??Make Poverty Historyâ?? campaign was the emergence of conspicuous consumption as a means of political protest. Attending the G8 demonstration on the 2nd July (2005) in Edinburgh, it was interesting to view the number of branding and merchandising opportunities exploited by the organisers and associated groups. The most bizarre of these was the â??Scottish Socialist Partyâ?? stall selling red â??make capitalism historyâ?? wristbands, demonstrating either a profound economic nievety or well developed sense of irony – (I rather uncharitably suspect the former rather than the latter). The white wristbands have been in themselves an interesting way of communicating and disseminating an idea. By using the endorsement of every wearer of the causes of the campaign, a wearable advert has been created, like a physical manifestation of a viral campaign.
Of course this was originally hit upon by â??Nikeâ?? with their livestrong campaign, who for all their dubious operating methods, are amongst the shrewdest of operators when exploiting new marketing channels in the most effective ways.
While it would be easy to criticise the percieved dumbing down of political causes for mass consumption, the interesting question would be whether this (and other) campaigns have more impact and effect by drawing in a bigger constituency through modern marketing methods. Is the environmental and social impact of the production of all these pieces of merchandise justified by a bigger voice for the campaign and its causes. So do the ends justify the means? Answers on a recycled postcard….
Published on October 3, 2005 3:42 pm.
Filed under: Brand, Design, Environment, General, Society + Politics
At a talk last week on â??Creative Fearâ?? by Jonathon Ford of London Agency â??Pearlfisherâ??, I had the crushing misfortune to sit through my seventh rendition of the â??how Innocent drinks startedâ?? story. I would give you a synopsis of the story here in case you havenâ??t heard it, but for the fact that there are only seven people in the country who donâ??t know it and they all live in caves (with no Wi-Fi access). I would urge those in charge at Fruit Towers to make up a new story, if only to save the sanity of those of us who are subjected to it on (what now feels like) a daily basis.
It seems that â??Innocentâ?? are now the most frequently referenced brand success story from which we can learn. As a result weâ??ve seen an explosion of copycat design styles, though most of the imitators are missing a vital point. Success will come from learning from Innocents approach, not from copying their â??outcomesâ??. By outcomes I mean their design style, their tone of voice, their copy style – which is where most of the dumb copiers seem to be looking.
How did they appproach the issue of their brand? Well to me it would seem they didnâ??t. At least not at first. Of course all the guys starting the company are savvy and from a marketing and media background, but Richard Reid, one of the company founders, insists that from the outset they have been keen to â??keep the main thing the main thingâ??. For them this meant making a great drink which was better than anything else on the market. Their packaging, tone of voice, and everything that communicated about Innocent seems to flow from this very simple idea, not as a bolt-on or seperately pre-conceived marketing strategy.
So what can we learn from this? In many ways the brand, currently seen as their strongest card, could become their downfall if it becomes something in its own right. Why? Because it then becomes a driver in the company and successful organisations need to be driven by what they do. Of course communication is important, but if it doesn’t flow from something substantial of genuine significance then that’s where companies ‘brands’ fall apart – (not in the incorrect placement of a logo or incorrectly reproduced pantone). If Innocent want to be smart about how they progress from here, they should employ designers to think about shaping what the company does, not just how it communicates or what it’s bottles look like.
Published on October 2, 2005 2:14 pm.
Filed under: Brand, Design, General